The same technique works in mastering scenarios, though as a rule, you should keep these affectations as subtle as possible, so as not to introduce obvious changes in overall timbre, or weird phase-shifts. Wait for the moment, click in the band, and then click it out. What do you do?Īutomate a parametric cut! It works wonders. The dynamic EQ, however, takes too much of the resonance out of the signal all the time. Sure, you can stick a dynamic EQ centered around the notes giving you trouble, but mayhaps this creates a new problem: the all-too-resonant bass notes only bloomed a couple of times. Imagine that a couple of bass notes “bloom” unnaturally over the course of the song. Don’t discount the player’s technique either: digging into the strings creates a markedly different timbre from a soft pluck. For some reason, the electric bass always comes to mind when I talk about this problem, probably because of the instrument’s architecture if it’s not set up correctly, with the pickups calibrated just so, and the action-height exactly right, sometimes a particular note can leap out. Think of the previous example and imagine the opposite: you’re given an element or mix that has momentary problems in certain frequency ranges. To take out a momentarily troublesome resonance
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